{"id":4635,"date":"2024-11-19T14:41:04","date_gmt":"2024-11-19T14:41:04","guid":{"rendered":"https:\/\/otherpeoplesmovies.com\/?p=4635"},"modified":"2024-11-19T18:54:16","modified_gmt":"2024-11-19T18:54:16","slug":"megalopolis-2024-review","status":"publish","type":"post","link":"https:\/\/otherpeoplesmovies.com\/index.php\/2024\/11\/19\/megalopolis-2024-review\/","title":{"rendered":"Megalopolis (2024) Review"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"430\" src=\"https:\/\/otherpeoplesmovies.com\/wp-content\/uploads\/2024\/11\/megalopolis-1-1000x430-1.jpg\" alt=\"\" class=\"wp-image-4636\" srcset=\"https:\/\/otherpeoplesmovies.com\/wp-content\/uploads\/2024\/11\/megalopolis-1-1000x430-1.jpg 1000w, https:\/\/otherpeoplesmovies.com\/wp-content\/uploads\/2024\/11\/megalopolis-1-1000x430-1-300x129.jpg 300w, https:\/\/otherpeoplesmovies.com\/wp-content\/uploads\/2024\/11\/megalopolis-1-1000x430-1-768x330.jpg 768w, https:\/\/otherpeoplesmovies.com\/wp-content\/uploads\/2024\/11\/megalopolis-1-1000x430-1-640x275.jpg 640w\" sizes=\"auto, (max-width: 639px) 98vw, (max-width: 1199px) 64vw, 770px\" \/><figcaption>Adam Driver in Megalopolis<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">It\u2019s hard not to get swept up in the excitement when a celebrated filmmaker like Francis Ford Coppola unleashes a big-budgeted film they have been talking about publicly for decades and which they financed completely with their own plentiful resources. True independent film on a large scale can be endlessly amazing because it combines glamourous Hollywood aesthetics with individualistic and artistic-minded sensibilities. The <em>Apocalypse Now <\/em>and <em>Godfather <\/em>maestro\u2019s <em>Megalopolis, <\/em>while often coming close to being a complete mess, is an endearingly passionate example of such a film.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Financed for a hundred million dollars from his own estate, Coppola\u2019s film never would have made it through the studio system\u2014not in this time or any other. It\u2019s too big, too eccentric, and too tonally experimental to be enticing to large audiences. While the film does admittedly suffer somewhat from being guided by a filmmaker with too many resources and too few artistic constraints, it\u2019s still an endless marvel to witness.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The film (which is labeled a \u201cfable\u201d in the opening credits) follows an idealistic, brilliant, and ambitious young artist (Adam Driver) named Cesar who wants to create a Utopian future out of the film\u2019s modernized \u201cNew Rome\u201d setting. Cesar clashes with the city\u2019s mayor (Giancarlo Esposito) and is forced to fight for his uncompromised vision. Politics, ego, and temptation become obstacles for Cesar to overcome, which he is only able to do with partial success.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Plot and character take somewhat of a backseat in the film to spectacle and thematic grandness. <em>Megalopolis<\/em> is, first and foremost, a film about genius, creativity, and vision. The structure supports this theme by being loose and free, something that is both thrilling and trying to experience throughout the film. While the impressive cast (which also includes Aubrey Plaza, Shia LeBeouf, Jon Voight, Laurence Fishburne, Talia Shire, Dustin Hoffman, Jason Schwartzman, and James Remar amongst many others) does their best to exist vivaciously within the film\u2019s reality, you don\u2019t get much beyond a surface impression of who everyone truly is. Women, especially, are thinly developed (with the possible exceptions of Plaza and Shire), coming across as little more than window dressing or rewards for the powerful and ambitious men\u2019s conquests.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The true star of the film is Coppola. It\u2019s his madness, brilliance, ingenuity, and unabashedly unavoidable sloppiness that is apparent in every single frame of the film. While it is not without its array of faults, the fact that such a large-scale film can exist with such a singularly bold vision is a major accomplishment in and of itself. I simply can\u2019t think of another film that is the result of such an obvious auteur that is also presented with such awe-inspiring enormity. It <em>shouldn\u2019t <\/em>exist, but it miraculously does because its creator literally and gloriously forced it into being.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There\u2019s no denying that, as I stated before, <em>Megalopolis <\/em>is a mess. It\u2019s confusing at times, tedious at others, and somewhat jagged throughout. That being said, it is a downright beautiful and glorious mess that is genuinely and completely <em>alive. <\/em>Francis Ford Coppola, after all his years of making movies, still does so with the courage and energy of a young man. <em>Megalopolis <\/em>may not quite reach the greatness to which it is so obviously aspiring, but, damn, is it fascinating and thrilling to watch it try.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>GRADE: B<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s hard not to get swept up in the excitement when a celebrated filmmaker like Francis Ford Coppola unleashes a big-budgeted film they have been talking about publicly for decades and which they financed completely with their own plentiful resources. True independent film on a large scale can be endlessly amazing because it combines glamourous [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4636,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-4635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/otherpeoplesmovies.com\/index.php\/wp-json\/wp\/v2\/posts\/4635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/otherpeoplesmovies.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/otherpeoplesmovies.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/otherpeoplesmovies.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/otherpeoplesmovies.com\/index.php\/wp-json\/wp\/v2\/comments?post=4635"}],"version-history":[{"count":2,"href":"https:\/\/otherpeoplesmovies.com\/index.php\/wp-json\/wp\/v2\/posts\/4635\/revisions"}],"predecessor-version":[{"id":4638,"href":"https:\/\/otherpeoplesmovies.com\/index.php\/wp-json\/wp\/v2\/posts\/4635\/revisions\/4638"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/otherpeoplesmovies.com\/index.php\/wp-json\/wp\/v2\/media\/4636"}],"wp:attachment":[{"href":"https:\/\/otherpeoplesmovies.com\/index.php\/wp-json\/wp\/v2\/media?parent=4635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/otherpeoplesmovies.com\/index.php\/wp-json\/wp\/v2\/categories?post=4635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/otherpeoplesmovies.com\/index.php\/wp-json\/wp\/v2\/tags?post=4635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}