About: Matt Hendricks

Matt Hendricks is an independent filmmaker and wannabe writer/screenwriter who likes writing about "other people's movies". Read about Matt's top ten favorites.

Website: http://matthendricks.org/

Posts by Matt Hendricks:

Long Shot (2019) Review

Posted on: 10 Oct 2019

Charlize Theron is a straight-laced Secretary of State in preparation to run for the U.S. presidency. She meets Seth Rogen at a party and soon remembers him as the cute little boy next door she used to babysit when she was a teenager. He’s now an (unemployed) extreme left-wing journalist, and she shortly thereafter hires […]

Too Old to Die Young (2019) Review

Posted on: 30 Jun 2019

While recently reviewing Terry Gilliam’s The Man Who Killed Don Quixote, I was struck with the realization that I am no longer able to separate my love and knowledge of the filmmaker’s career from my opinion of his most recent films. It is very important to note before reviewing his new ten-episode, thirteen-hour Amazon Prime series […]

My Time at the 2019 IFS/L.A. Film Festival

Posted on: 24 Jun 2019

“Film festivals shouldn’t be about what celebrities are comin’ or what film is gonna get sold. It should be about people gettin’ together and watchin’ movies. And about people who can never get their movies seen havin’ a chance to have it watched… If only once. A good film festival should be something where you […]

The Man Who Killed Don Quixote (2019) Review

Posted on: 17 Jun 2019

Terry Gilliam has lost years of his life and large portions of his already questionable sanity to bring The Man Who Killed Don Quixote to the screen. The 2002 documentary Lost in La Mancha detailed his first attempt at producing the film in 2000 before it fell apart for one excruciating reason after another. The […]

Under the Silver Lake (2019) Review

Posted on: 10 Jun 2019

Under the Silver Lake is the kind of film that warrants repeat viewings. While making complete sense of this challenging film may never happen, seeing it more than once can, at least, help clarify what the hell it actually is. Writer/director David Robert Mitchell’s follow-up to It Follows is a completely unexpected U-turn in his […]

Serenity (2019) Review

Posted on: 03 Apr 2019

You’ve probably heard that Serenity has an insane plot twist, but that doesn’t even begin to cover it. For the film’s first half, audiences are led to believe that it is a modern-day tropical noir thriller along the lines of Body Heat. As it unravels, however, it morphs into a complete mind-meddle that would have […]

The Beach Bum (2019) Review

Posted on: 01 Apr 2019

The Beach Bum Harmony Korine’s follow-up to 2013’s Spring Breakers is another liquidly non-linear ode to hedonism. Though this film doesn’t exhibit the same biting satire, artistic aggression, or weighted, ethereal beauty as his previous masterwork, it’s still one of the most original and audacious films to make it to mainstream theaters in recent years. […]

Dragged Across Concrete (2019) Review

Posted on: 27 Mar 2019

Co-composer/writer/director S. Craig Zahler’s third film is the latest addition to his recent winning streak—one that seemed to come out of nowhere in 2015 with the horror western Bone Tomahawk and continued in 2017 with the prison thriller Brawl in Cell Block 99. Slow burning, character driven, and emotionally brutal with shocking bursts of supreme […]

Alita: Battle Angel (2019) Review

Posted on: 26 Mar 2019

Robert Rodriguez has had some great and successful creative partnerships throughout his career: Quentin Tarantino on Grindhouse and From Dusk Till Dawn, Frank Miller on Sin City, Ethan Maniquison on Machete. It seemed to be a sure thing that his latest team-up with James Cameron would be just as saliva inducing and worthy of a […]

London Fields (2018) Review: The Secret Director’s Cut Versus the Maligned Theatrical Cut

Posted on: 25 Feb 2019

Aside from the small fraction of the country that shelled out a collective $168,575 for the second-worst wide-release opening weekend in U.S. history, nobody saw London Fields when it came to theaters in October of 2018. Critics trashed it and the public quickly wrote it off as a failed vanity project for actors Billy Bob […]